BlackRock Auditorium New York Headquarters

BlackRock Auditorium

Photo Credit: NBBJ


BlackRock HQ Auditorium is located at 50 Hudson Yards, New York. The building is the city’s fourth largest commercial office tower. The world’s leading investment management firm, BlackRock, has leased 1M sf across 15 floors, including the 400-seat auditorium.

The expansive auditorium features a soft, embrace-like design that opens onto a view of a nearby park. The auditorium’s curved seating encourages connections between audience members and presenters, with adjacent pre- and post-function spaces for flexibility and continued social interaction.

The LEED Platinum, 2.9M gsf building stands over 1,000 feet tall, providing direct access to the No. 7 Subway station, and entrances on Hudson Park & Boulevard and 10th Avenue, as well as both 33rd and 34th Streets. 50 Hudson Yards is one of the few buildings on Manhattan’s West Side with the ability to accommodate more than 500 people per floor. The white stone and glass-clad façade are designed to accentuate the verticality of the building, while the interior is designed to house large trading and amenity spaces.

  • Client: BlackRock
  • Architect: NBBJ
  • Acoustician: Shen Milsom & Wilke

  • Completion Year: 2023
  • Location: New York, NY
  • Capacity: 405 seats

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The Center for Arts and Innovation | Boca Raton

The Center for Arts and Innovation | Boca Raton

Renderings provided by: RPBW Architects


The Center for Arts & Innovation is poised to catalyze the convergence of creativity and innovation into four societal pillars wherein those elements intersect constantly: the arts, education, business, and community. The architectural and programmatic expression of that convergence, coupled with the design’s further refinement, ideation, partnership generation, and maturation over the 18-month design process will allow The Center to transcend its impact far beyond South Florida and present a flagship example for projects around the world to follow.

The Center’s purpose is to pioneer a new approach to how the world designs, imagines, programs, utilizes, and embraces its cultural infrastructure. By catalyzing leading creators, thinkers, students, and entrepreneurs, those who interact and are impacted by campuses like this will thrive, and in turn, define tomorrow. This 21st-century campus will provide a platform for new and inspiring works and ideas, opportunities for AI interaction with both the building and its visitors, comprehensive STEAM education in partnership with local and regional educational institutions to shape the next generation of leaders and creators, and cultivate innovation through an activated series of spaces where ideation and creation can thrive; all in a campus with a globally inspired design where the community can come together and truly connect.

The new campus will consist of a three-story building serving an ensemble of functional needs and providing multi-use spaces that are welcoming, permeable, luminous, and open to all. The eastern side of the building will hold the ‘main venue’, a large multi-functional, convertible event, exhibition, and performance space with the ability to merge seamlessly with the outdoor piazza, enabling greater-scaled events. The main venue is intended to be highly flexible, allowing for a wide variety of convening, exhibitions, performances, and innovative programming. The Center will also contain a public lobby, large flexible working spaces, dedicated workshops, maker space, creator residences, and a startup incubator, as well as educational and social spaces open to the public, all designed to foster collision and innovation of The Center’s four pillars from within.

The third floor will host the city’s first covered rooftop terrace with food and beverage service, offering views overlooking Plaza Real and the city’s downtown. The roof will take advantage of the abundant Florida sun to produce both electricity and hot water through 100,000 sf of revolutionary hybrid photovoltaic solar collectors. Above the roof, there will be a special 100-person capacity panoramic space, known as the Belvedere, dedicated to both the public and special events with 360-degree views of the city, ocean, and beyond.

The central exterior space that grounds the project will be known as the Piazza. Maintaining the current capacity level, the open plaza will continue to be used as an amphitheater for outdoor performances as well as special events, daily programming, public events, as well as temporary exhibitions in collaboration with the Boca Raton Museum of Art. It is intended to be a vibrant and lively place open to the community, destined to enhance social interaction, urban culture, and human flourishing in the city.

  • Client: Center for Arts & Innovation
  • Architect: Renzo Piano Building Workshop
  • Acoustic Consultant: Threshold Acoustics LLC
  • Completion Year: est. 2028
  • Location: Boca Raton, FL

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Related Media


St. Lawrence Centre for the Arts

St. Lawrence Centre for the Arts

Renders provided by Hariri Pontarini Architects


In designing the St. Lawrence Centre for the Arts redevelopment project in Toronto, the team envisions it will transform the area into a cultural hub and a district for the arts. The $400-million, four-storey, 175,000 sf building is located on Front Street near Yonge Street, beside Meridian Hall.

One of the main features of the design is that it creates an open flow between the theatre and the public space. The central axis of the main theatre is rotated 90 degrees to address a new public plaza on Scott Street which can function as an extension of the theatre as well as provide additional public programs.

The main auditorium allows for approximately 950 seats for a seated proscenium performance but features a reconfigurable floor system and large acoustic doors that will allow other configurations including a thrust stage, flat-floor general admission, banquet, conference or festival/block party format that can extend out to the lobby when the doors are open.

The second and third floors would consist of creative spaces with studios, rehearsal rooms and informal performance areas and on the fourth floor, stacked above these maker spaces, would be a second performance space, a 400-seat acoustic hall. It will feature a backdrop of the city skyline and access to a green terrace.

The lobby and other public amenities are aligned in an L-shaped plan across the Front Street façade. The theatre also connects to nearby Berczy Park, with the Scott Street pedestrian zone and Meridian Hall.

The goal is to make the facility the first zero-carbon performing arts center in Canada.

Construction is anticipated to begin by 2026, with completion slated for 2030.


Related

  • Client: TOLive and CreateTO
  • Architect(s): Hariri Pontarini Architects; LMN Architects; Tawaw Architecture Collective; Smoke Architecture; SLA (architecture and public realm)
  • Acoustics: Threshold Acoustics
  • Structural Engineer: Thornton Tomasetti
  • Mechanical & Electrical Engineer: Salas O’Brien
  • Heritage: ERA Architects
  • Architectural Lighting: HLB
  • Sustainability: Atelier Ten
  • Accessibility: Human Space
  • Completion Year: est. 2030
  • Location: Toronto, Canada
  • Building Size: 175,000 s.f.
  • Capacity: 950-seat flexible auditorium; 400-seat acoustic hall

Links


Hudson Valley Shakespeare Festival

Hudson Valley Shakespeare Festival

Photo Credit: Studio Gang


Hudson Valley Shakespeare Festival (HVSF) establishes a permanent home and more versatility for the actors, audience, and back-of-house of one of New York’s most beloved open-air theater companies. The gently curved, timber-framed grid shell improves year-round functionality while evolving HVSF’s tradition of immersive performances, opening directly onto the revitalized landscape designed by Nelson Byrd Woltz Landscape Architects and framing views of the highlands along the Hudson River. Architecture and nature work together to create a transformative new cultural destination for New York and the wider performing arts community.
Since its first season in 1987, HVSF’s productions have been staged in a seasonal tent at Boscobel House and Gardens overlooking the Hudson River. The new design on a nearby site remains open to the elements but elevates the overall theatrical experience for both actors and visitors through improved rehearsal, performance, and amenity spaces; expanded accessibility for more diverse audiences; and technical additions that open up new opportunities for HVSF productions.

Conceived as a single, fluid gesture, like the wing of a bird, the design encompasses the theater’s disparate functions, vastly improving circulation between spaces and across the site and enabling a wider range of cultural and community programming. Supported by exposed timber A-frame columns, the building’s natural material palette and curved form help the design blend into the rolling landscape. Positioning nature at the forefront of the theater’s creative work, the stage’s proscenium arch serves as both an entrance for patrons and actors, and a natural backdrop for the company’s open-air performances. Picnic lawns on the hill around the theater encourage visitors to gather before and after shows to enjoy sweeping views.

Natural ventilation and solar shading around the roof’s perimeter help passively cool the building. They work in tandem with the project’s other green strategies, including low-carbon mass timber, photovoltaic panels, rainwater harvesting and reuse, and increased biodiversity, to target LEED Platinum—the first such certification for a purpose-built US theater. Through its care for the environment, and the planet more broadly, the design aims to ensure the company’s productions and the diversity of the natural world remain center stage for many seasons to come.

The landscape design replaces the site’s water-intensive former golf course with restored native grasses and wetlands that support biodiversity and decrease resource use. The enhanced arrival sequence features an adapted entry road, screened from the primary roadway with native plantings and trees, which leads to a revitalized parking lot that is now lushly planted. The circulation design grants visitors a variety of choices for continued exploration: a universally accessible path to the hilltop picnic lawns and theater provides views of the Hudson River’s Wind Gate geologic formation, trees planted along the lawns bring moments of shade for guests, and mown pathways allow visitors to immerse themselves in the meadow ecology. The result is a partnership between history, nature, community, and theater.

  • Client: Hudson Valley Shakespeare Festival
  • Architect: Studio Gang
  • Structural Engineer: Thornton Tomasetti
  • Civil Engineer: Badey & Watson Surveying & Engineering PC
  • Geotechnical Engineer: Tectonic Engineering Consultants, Geologists & Land Surveyors, D.P.C
  • MEP, IT, Security, Sustainability Consultant: Buro Happold
  • Lighting Design Consultant: Tillotson Design Associates
  • Landscape Architect: Nelson Byrd Woltz Landscape Architects
  • Acoustic Consultant: Threshold Acoustics LLC
  • Graphic Design Consultant: Flyleaf Creative Inc.
  • Completion Year: TBD
  • Location: Garrison, NY
  • Building Size: 6,800 SF (Theater); 5,000 SF (Back of House); 250 SF (Concessions); 1,800 SF (Public Washrooms)
  • Size:
    • 6,800 SF Theater
    • 5,000 SF Back of House
    • 250 SF Concessions
    • 1,800 SF Public Washrooms
    • 480 seats

Links


Trinity School | Morse Theater

Trinity School | Morse Theater


Founded in 1709, the Trinity School serves grades K-12. The arts are fundamental to the Lower and Middle School programs, and Upper School students are required to devote at least three semesters to arts curricula.

A full-time professional staff member supervises technical theater, as well as set and lighting design.

The Trinity School’s Morse Theater is located on the top of a New York City Landmark structure — the Annex Building. Formerly known as the Parish House and designed in 1892 by William A. Potter, the top floor space was originally the parish refectory and later served a variety of functions for the Trinity School.

In 1983, the space was redesigned as the Morse Theater, providing an assembly space for the school and a dedicated theater for use by the theater department. After many years of serving the school, the space was ready to be refurbished and the technical systems had reached the end of their useful lives.

Everything had been painted black. Our work with Rogers Partners restores the architectural beauty of the room, including the exposed wooden roof trusses. A tension wire grid replaces narrow catwalks, providing safer and more flexible access — and is better suited to the look of the room. New telescopic seating for audience seating configurations provides additional comfort and better sightlines. New theatrical lighting and AV systems are able to accept, integrate, and incorporate new technologies when they become available to the Trinity School.

  • Client: Trinity School
  • Architect: Rogers Partners
  • Completion Year: 2016
  • Location: New York, NY
  • Building Size: 180,000 s.f.

Links


Joyce Theater

Joyce Theater


Favored by small dance companies for its excellent sightlines and intimate feel, this 472-seat auditorium was built on a modest budget. A major improvement was to completely reconfigure the existing seating along a single graduated rake with slim, flanking side balconies. This change results in a much more intimate relationship between the audience and performers, and is one of the reasons the Joyce is considered New York’s finest small dance space.

Originally built as a movie house, the Elgin, in 1941, the theatre was completely gutted and rebuilt solely as a dance space. A new stage, 42 feet wide by 35 feet deep and 21 feet high, and a sprung wood floor with retractable linoleum covers is perfectly suited for both ballet and modern dancers. In a creative and economic move steel trusses found above the movie house’s dropped ceiling became lighting supports accessible from new catwalks.

The Joyce has long been the resident home of the Eliot Feld Ballet and a frequent presenter of a wide variety of nationally known dance ensembles.

  • Client: Elgin Theater Foundation
  • Architect: Hardy Holzman Pfeiffer Associates
  • Completion Year: 1982
  • Location: New York, New York
  • Building Size: 17,900 s.f.
  • Capacity: 472 seats

Links


Goldman Sachs Auditorium

Goldman Sachs Auditorium


Located in the podium of the new $2.1 billion world headquarters of Goldman Sachs at 200 West Street, this 350-seat auditorium is used for everything from new employee training to new product introductions to large scale international broadcasts of senior executive addresses. Equipped with state-of-the-art broadcast equipment, including several remote controlled cameras and a full live-mix production studio, professional quality HD broadcasts can be produced and sent live to Goldman Sachs auditoria worldwide.

FDA worked with SHoP Architects to develop a form that would serve the highly technical requirements while still providing a comfortable, hospitable environment that met the expectations of the bank’s top executives. The stage itself is a lift, which allows for a variety of relationships between the presenter and the audience. Some presenters prefer to be at the same level as the front row of seating in order to initiate a less formal interaction, while other events require the formality of a raised stage.

The technical equipment is fully automated, allowing the small house crew to change between event programs quickly.

  • Client: Goldman Sachs
  • Architect: SHoP Architects
  • Lighting Design Consultant: Fisher Marantz Stone
  • Acoustic Consultant: Akustiks
  • Capacity: 350 seats

Links


Cincinnati Playhouse in the Park

Cincinnati Playhouse in the Park

The Rouse Theatre

Photo Credit: John Kosco, Jaffe Holden Acoustics


Cincinnati Playhouse in the Park has been offering audiences the finest in professional theater for 60 years. The new Rouse Theatre enhances the intimacy their audiences love about the current Marx stage, all while improving accessibility and comfort. By bringing the facility into the 21st century, their artists will have the tools they need to create modern, engaging productions for their community.

Audiences can expect many improvements: greater flexibility due to a new layout for the theater – increased options for set design and more partnerships with other organizations, allowing touring shows from New York and around the country; added comfort and accessibility through new seating configurations with more legroom and accessible seating in every section; and better sightlines and acoustics for unimpaired views and improved sound quality.

  • Client: Cincinnati Playhouse in the Park
  • Architect: BHDP Architecture
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 2023
  • Location: Cincinnati, Ohio
  • Building Size: 62,500 s.f.
  • Capacity: 540 seats

Links


Steelhouse Omaha

Steelhouse Omaha

Photo Credit: Joshua Dachs (FDA), Robert Campbell (FDA), and Bruce Damonte


Steelhouse Omaha is a live music venue and flexible space with a standing capacity of up to 3000, managed by Omaha Performing Arts (O-pa). This unique $104.1 million dollar performance space will provide the opportunity to present new and innovative programs in non-traditional layouts.

“This new venue is a significant investment expanding O-pa’s downtown presence and reinforcing the board’s commitment to offer outstanding venues attracting artists from all over the world,” said Omaha Performing Arts Board Vice Chair Jack Koraleski. “Steelhouse Omaha fits in perfectly with the many other exciting changes taking place along our riverfront and couldn’t come at a better time for our community. We are grateful to our donors who made this possible, and can’t wait for the grand opening in 2023.”

  • Client: O-pa (Omaha Performing Arts)
  • Architect: Ennead Architects
  • Acoustician: Threshold Acoustics
  • Completion Year: 2023
  • Location: Omaha, Nebraska
  • Capacity: 1500-3000

Links


The New School University Center

The New School University Center


When The New School projected its growth over the coming decades, it became clear that its enrollment would outpace its current facilities. The largest building project in The New School’s history, the 16-story University Center stands as a new landmark on the border of the Union Square and Greenwich Village neighborhoods. A truly multipurpose building, the Center includes a suite of design studios and laboratories, dormitories, wired classrooms, and a versatile auditorium seating up to 800.

With various configurations seating 600 to 800 patrons, the auditorium is used for everything from lectures to film screenings to drama to fashion shows. FDA designed a system of stage lifts and seating wagons, which create a convertible runway for fashion shows, or additional seating for performances. A sliding partition can divide the last eight rows from the rest of the auditorium; the seats in those rows are telescopic and retract to create two 75-student classrooms at the rear of the room. Using the wagons and lifts, the stage can extend for more movement-intensive performances.

New York Magazine’s Justin Davidson wrote that the building “brings the school’s brand of sensitive boldness to the corner of Fifth Avenue and 14th Street” and called it a “distinctly urban building, respectful but not obsequious.”

  • Client: The New School
  • Architect: SOM – New York
  • Completion Year: 2014
  • Location: New York, New York
  • Acoustician: Shen Milsom & Wilke
  • Capacity: 800 seats

Links


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