Wolf Trap Farm Park for the Performing Arts Filene Center II

Wolf Trap Farm Park for the Performing Arts

Filene Center II


The acclaimed PBS-TV series “Live From Wolf Trap” originates from this internationally acclaimed outdoor summer theatre, which annually features the world’s best-known concert artists and popular entertainers, such as the New York City Opera and The National Symphony Orchestra.

Completed in 1984, two years after fire destroyed the original outdoor auditorium, Filene Center II is a multipurpose theatre with one of the country’s largest stages. It has substantially enlarged backstage and rehearsal facilities and seating for 3,700 patrons under cover and 3,000 more on the outdoor lawn.

FDA designed and specified equipment for the rebuilt theatre, from stage lighting and rigging systems to an innovative 80,000-pound orchestra shell which can be rapidly set up and completely removed from the stage when not in use.

  • Client: The Wolf Trap Foundation for the Performing Arts
  • Architect: Dewberry & Davis
  • Completion Year: 1984
  • Location: Vienna, Virginia
  • Capacity: 6,700 seats

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Whitaker Center for Science and the Arts, Sunoco Performance Theater

Whitaker Center for Science and the Arts

Sunoco Performance Theater


The Whitaker Center was the first facility in the nation to link the arts and sciences in one building. The Center houses a 600-seat theater, 200-seat Imax, and a Science Center in a design that affords visitors views from one program area to another to emphasize the link between the disciplines and encourage participation in both.

The Sunoco Performance Theatre has a 664-seat auditorium designed with three levels of seating, none more than 65 feet from the stage. The Broadway-sized stage, fly space, moveable orchestra pit and commodious back-of-house accommodations were designed to meet the production and performance needs of a range of community performing arts groups including the Central Pennsylvania Youth Ballet, Theatre Harrisburg, the Harrisburg Opera Association, and the Concertante Chamber Ensemble.

  • Client: Whitaker Center
  • Architect: Hardy Holzman Pfeiffer
  • Completion Year: 1999
  • Location: Harrisburg, Pennsylvania
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 130,000 s.f.
  • Capacity: 600 seats

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Wheeler Opera House

Wheeler Opera House


FDA assisted the architects in the complete renovation of the balcony of the late-1880s era Wheeler Opera House. The project included a new balcony structure and finishes, control booth, seating, HVAC upgrades, and emergency lighting. FDA was instrumental in refining a new balcony seating geometry that greatly improved seating comfort and sightlines for patrons.

Additionally, renovations included the elimination of existing 35mm film projectors in favor of a state-of-the-art digital cinema projection system. Improvements to the architectural room lighting included the addition of efficient LED lighting. Many of the original features — the box seats, the balcony balustrade, the proscenium arch, the chandelier — were returned to their original 1889 grandeur.

  • Client: Wheeler Opera House
  • Architect: Mills + Schnoering Architects, LLC
  • Arch. of Record: Rowland + Broughton Architects
  • Completion Year: 2012
  • Location: Aspen, Colorado
  • Capacity: 299 seats

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Westside YMCA, Majorie S. Deane Little Theater

West Side YMCA

Majorie S. Deane Little Theater


The Little Theater at the West Side YMCA on West 63rd St. in Manhattan had fallen into disrepair before the Deane family stepped forward to fund its renovation. When FDA and Mitchell Kurtz collaborated for its rehabilitation, they added a bank of 141 fixed seats in curved rows and designed much- needed upgrades to the performance equipment. The renovation includes the addition of a brand new control booth as well as thoughtful reworking of the adjacent support spaces and box office. FDA worked closely with the client’s representatives and the architect to develop a classically appointed but tastefully modern design that fits right in with the building’s historic architecture.

  • Client: West Side YMCA
  • Architect: Mitchell Kurtz Architect
  • Completion Year: 2008
  • Location: New York, New York
  • Acoustician: Creative Acoustics
  • Capacity: 145 seats

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Westport Country Playhouse

Westport Country Playhouse


In 1930, Lawrence Langner and his wife Armina Marshall commissioned Cleo Throckmorton to design a theatre in an old cow barn in the middle of an apple orchard. Since it opened in 1931, the now legendary Westport Country Playhouse has presented over 700 plays, including 75 that have gone on to Broadway.

Architects FFMG and FDA prepared a master plan for improvements to the Playhouse that will retain the character of the beloved historic theatre. The improvements will address audience and performer comfort and safety, and provide – for the first time in the Playhouse’s history – a year round performance space.

Among specific recommendations incorporated into the plan is a new stagehouse that makes more sophisticated and diverse productions possible. Other improvements include front-of-house and backstage additions containing updated and expanded lobbies, dressing rooms, and workshops; and new heating, ventilation and air conditioning systems. FDA’s contributions include a new stage, sound and lighting equipment, control booth, new orchestra pit and new and more comfortable seating. There will also be a new rehearsal hall in an adjacent barn, as well as new scene shop and dressing rooms.

  • Client: Westport Country Playhouse
  • Architect: Ford Farewell Mills Gatsch
  • Completion Year: 2005
  • Location: Westport, Connecticut
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 578 seats

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Wellesley College, Barstow Stage at Alumnae Hall

Wellesley College, Barstow Stage at Alumnae Hall


Ann Beha Architects’ comprehensive renovation and restoration of the Diana Chapman Walsh Alumnae Hall at Wellesley College has rejuvenated a special College resource. Alumnae Hall did not meet the needs of contemporary performance or College gatherings, compromised by poor sight lines, acoustics, accessibility, and no lobby or rehearsal spaces. Alumnae Hall now serves new audiences and programs, reflects the College’s commitment to its historic resources, and integrates contemporary design and new academic and community programming within the historic setting.

To provide a welcoming lobby space, the Design Team reconsidered the arcaded portico at the Hall’s north entry. The original bluestone floor was salvaged and raised to the level of the main auditorium corridor. New glass panels and doors were carefully inserted into the original limestone portals, providing a well lit gathering space for arriving audiences.

In the auditorium, the floor was re-poured and re-raked, and new staggered seating installed, configured to improve circulation, sight lines, and accessibility. Original wall and ceiling murals were discovered in the attic, as well as original glass and brass chandeliers, which were refurbished, supplemented with energy efficient accent lighting. Onstage, new rigging, theatre lighting, and audio-visual systems support lectures and theatrical productions.

  • Client: Wellesley College
  • Architect: Ann Beha
  • Completion Year: 2010
  • Location: Wellesley, Massachusetts
  • Acoustician: Kirkegaard Associates
  • Capacity: 1,000 seats

Links


Wang Theatre – Boch Center

Boch Center – Wang Theatre


The historic, 4,400-seat Wang Theatre, located in Boston’s theatre district, is a spacious, opulent hall typical of movie palaces built in the 1920’s. The architect’s award-winning historic renovation preserved the marble statuary and columns, colorful ceiling murals, the vast domed ceiling and arched walls, and the generous applications of gold leaf, crystal, and mirrors that give the hall its character.

FDA designed a new seating configuration, which created dramatically improved sightlines and greatly enhanced the ambiance of the hall by providing a greater degree of intimacy in the large audience chamber. Careful scheduling allowed the project to be completed in two phases. The first, completed in six weeks, improved sightlines and acoustics. New theatrical lighting systems were installed in Phase II. Even the most fundamental aspects of the renovation required a sensitive approach to updating the historical fabric without damaging or intruding upon the unique decorative surfaces.

The project has received numerous awards, among them a citation by the Massachussetts Historical Commission.

  • Client: The Wang Center
  • Architect: Finegold + Alexander
  • Completion Year: 1992
  • Location: Boston, Massachusetts
  • Lighting: Fisher Marantz Stone
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 4,400 seats

Links


Walt Disney Concert Hall, Roy and Edna Disney/CALARTS Theater (REDCAT)

Walt Disney Concert Hall

Roy and Edna Disney / CALARTS Theater (REDCAT)


When FDA was asked by CALARTS to work with the faculty and staff to plan an expansion of the college’s arts facilities, it was clear that the school’s performance space would need to accommodate an ambitious program. Therefore, REDCAT’s performance and screening space in the lower level of Disney Concert Hall in Los Angeles was designed for maximum flexibility.

The stage can be transformed into several configurations, from thrust and end stage to completely in-the-round. The space can accommodate an audience as large as 277. Eight movable seating wagons, and a covered “pit” containing three additional rows that can be revealed or decked as needed, can be reconfigured in many ways.

FDA’s concerns for both flexibility and cost-conscious design led to the decision to line the performance space with hinged doors. These are easily adjusted to optimize the acoustic properties of the space depending upon the requirements of each performance type.

REDCAT is FDA’s second theatre for CALARTS. The original “Modular” theatre that was designed in 1972 remains in use.

  • Client: California Institute of the Arts
  • Architect: Frank Gehry
  • Completion Year: 2003
  • Location: Los Angeles, California
  • Acoustician: Yasuhisa Toyota
  • Building Size: 7,140 s.f.
  • Capacity: 277 seats

Links


Walnut Hill School for the Arts, Delbridge Family Center for the Arts

Walnut Hill School for the Arts

Delbridge Family Center for the Arts


Originally an all-girls prep school founded in 1893 and transformed into an arts school in the early 70s, Walnut Hill School for the arts is a secondary school established exclusively for the arts. The Studio 5 Theater project will offer a facility that reflects the school’s emergence as a premier art institute.

Though the addition of Studio 5 as a teaching, event, and performance space will have an impact on the entire campus community, two departments that will most certainly see their programs shift and evolve based on the potential of the space are Theater and Dance. Taking to a whole new level the idea that the right space and materials can engender amazing outcomes, the new Studio 5 will offer a dance studio and a fully outfitted flexible performance space, both bursting with possibilities. Armed with the knowledge that needs, art forms, and technologies will all continue to develop and change, the diverse team of individuals contributing input to the building’s design are ensuring that the space is malleable, allowing faculty and students the freedom to bring their artistic visions to life.

  • Client: Walnut Hill School for the Arts
  • Architect: designLAB Architects
  • Completion Year: 2016
  • Location: Natick, Massachusetts

Links


Walker Art Center, McGuire Theater

Walker Art Center, McGuire Theater


Minnesota’s Walker Art Center is one of the premier contemporary art museums in the country, and one renowned for its presentation of new performance work. The Walker expansion doubles the size of its existing building. The design intent was to “bring together artistic, educational, and social experiences” and the result is new galleries and education areas, and a dramatic, 385-seat performance space.

This space, named the William and Nadine McGuire Theater, has a stage that enables performers to present ambitious and technically complex works in an intimate setting. Walker’s design goal was to expand the range and definition of theater, dance, opera, and music, while offering audiences an intimate connection to how new work is created. Ringed by a new-media laboratory and galleries, the studio helps to bring about the convergence of art forms in a pioneering, one-of-a-kind theatrical space.

The theatre also serves as a ‘research and development’ space for new pieces, helps the Walker expand its ability to commission new work, and supports the development of experimental performances and collaborations among film/video, new media, visual and performing artists.

  • Client: Walker Art Center
  • Architect: Herzog and de Meuron
  • Arch. of Record: HGA
  • Completion Year: 2005
  • Location: Minneapolis, Minnesota
  • Acoustician: Kirkegaard & Associates
  • Building Size: 260,000 s.f.
  • Capacity: 385 seats

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