Duke Ellington School of the Arts

Duke Ellington School of the Arts


The design finds the balance between restoring and respecting the historic fabric while creating major new academic and performance venues, expanding the complex. The “Arts Machine” design sought to express and expose what goes on inside, promoting interdepartmental awareness and collaboration, and inviting the neighborhood in to experience the fruits of its diverse pre-professional programs. The academic and performance environment revolves around a four-story atrium, with the new iconic 800-seat Duke Ellington Theater “egg” suspended in the middle as the institution’s metaphoric heart. New construction is woven in and around the restored historic building fabric to accommodate the large studios, performance and rehearsal spaces, which are complimented by exterior elements such as the outdoor Plaza placed at the top of the gently sloping front lawn, the Media Reading Room Terrace sheltered under the grand two-story portico and the Education Terrace on the Ellington Theater Roof with its spectacular views across the city, all contribute to its expression of revitalization.

  • Client: Duke Ellington School of the Arts
  • Architect: Cox Graae + Spack Architects
  • Completion Year: 2018
  • Location: Washington, Dist of Columbia
  • Building Size: 265,000 s.f.
  • Capacity: 800 seats

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The Hayes Theater

Helen Hayes Theater (The Hayes Theater)


In 1979, Second Stage launched with the mission of producing “second stagings” of contemporary American plays that deserved to reach a wider audience. For 38 years, they’ve received 180 award nominations, produced three Pulitzer Prize-winning plays, and transferred nine productions to Broadway. Now, with the $64M acquisition and renovation of the historic Helen Hayes Theater, they’ve expanded their campus from two stages to three, broadening their impact on our artists and audiences, and creating a much-needed Broadway home for new American plays and diverse voices.

With its unusual Neo-Georgian design, the Hayes is a striking presence on 44th Street. The entire building has been modernized to create a more welcoming environment with a new cafe lounge, a space for hosting readings, expanded dressing rooms for the artists, nearly double the number of restrooms, a new wheelchair-friendly box office, a full-service elevator, and new seating options throughout the auditorium. For the first time in the building’s history, mobility-impaired guests will have the same freedom of movement and choice of seats as everyone else. The renovation is designed to achieve LEED silver certification.

  • Client: Second Stage
  • Architect: Rockwell Group
  • Completion Year: 2018
  • Location: New York, New York
  • Lighting: Focus Lighting
  • Acoustician: Jaffe Holden
  • Capacity: 597 seats

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The Muny

The Muny


Founded in 1918, The Muny’s mission is to enrich lives by producing exceptional musical theater, accessible to all, serving the entire St. Louis community. The nation’s largest outdoor musical theater company produces seven world-class musicals each year and welcomes over 350,000 theatergoers over a nine-week season.

In anticipation of the Muny’s 100th anniversary season in Forest Park, Fisher Dachs Associates was retained to provide conceptual designs and associated budget estimates for improvements that would serve as the basis for a capital campaign. After multiple visits to assess the facility, FDA provided a prioritized list of projects targeted for the anniversary season capital campaign, as well as for long-term planning and fundraising.

Following this study, FDA remained on board for the design and construction of a new stage and support space. Improved technical accommodations include state-of-the-art lighting and audiovisual systems, multiple LED screens, and a new, automated stage with a turntable, scenery wagons, and performer lifts. The 180-foot long, structurally questionable, lighting suspension bridge from the 1930s was replaced with a much safer, more flexible spanning truss bridge. New support spaces include a climate-controlled orchestra pit and a donor lounge.

  • Client: Municipal Theatre Association of St. Louis
  • Architect: H3
  • Completion Year: 2018
  • Location: Saint Louis, Missouri
  • Capacity: 11,000 seats

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Royal Academy of Music

Royal Academy of Music


FDA collaborated with Ian Ritchie Architects on this major overhaul of the 1970s auditorium, which has become the Susie Sainsbury Theatre. The works completed revised the geometry of the auditorium significantly, added a balcony, increased the seating capacity to 300, and improved the ambiance of the auditorium. Production capacity was greatly increased with a larger orchestra pit, increased wingspace, and added a new flytower, fitted with a motorized flying system. These improvements will allow the academy’s students to perform larger operas and musicals than previously, and expand the curriculum and instruction the Academy can offer.

“The spaces are stunningly beautiful, acoustically brilliant, and inspiring. They will raise the bar and challenge the students and staff in every possible form of music to reach higher and search further.”
— Jonathan Freeman-Attwood, Principal, Royal Academy of Music

  • Client: Royal Academy of Music
  • Architect: Ian Ritchie Architects
  • Completion Year: 2018
  • Location: London, United Kingdom
  • Acoustician: ARUP
  • Capacity: 309 seats

Awards
  • RIBA London Award 2018
  • RIBA London Building of the Year 2018

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Media

University of Wisconsin at Madison, Hamel Music Center

University of Wisconsin at Madison

Hamel Music Center


A highly competitive RFP process led the State of Wisconsin and the leadership at the University of Wisconsin Madison’s music school to select Steinberg Hart (formerly Holzman Moss Bottino Architecture) and Fisher Dachs Associates to design a new 57,000sf, $50M music performance building. Through a series of visioning sessions, programming workshops, predesign charrettes, informational presentations and guided tours of performing arts centers around the country, the pre-design process included over 100 stakeholders, performers, and community participants. The program and planning culminated in a three-story building featuring an 661-seat concert hall, a 314-seat recital hall, and related support spaces. The facility is used for approximately 350 events annually performed by faculty, students, and touring guests. The concert and recital halls accommodate symphonies and chamber orchestras, solos, quartets and choral concerts. The Hamel School of Music allows UW Madison’s students to rise to their professional potential while in an undergraduate setting.

  • Client: University of Wisconsin
  • Architect: Steinberg Hart
  • Arch. of Record: Strang
  • Completion Year: 2020
  • Location: Madison, Wisconsin
  • Acoustician: TALASKE
  • Building Size: 57,000 s.f.
  • Capacity: 661-seat concert hall; 314-seat recital hall

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Related Projects


Lotte Concert Hall

Lotte Concert Hall


Designed to be a first class venue for symphonic music, the Lotte Concert Hall is arranged as a surround hall, with 2,000 seats encircling a generous stage sized for a full-size orchestra and chorus. The concert hall, designed with dmp Architects, sits atop six mixed-use floors in a supertower designed by KPF Architects that contains offices, a hotel, residential units, retail, and other amenities. A major symphony hall integrated into a thriving mixed-use tower, Lotte Concert Hall is the first of its kind in Seoul, and will bring top-tier cultural events into the mix of activities residents and visitors expect from their experience in such a building. The design of the room features motorized orchestral riser stage lifts, automated lighting battens for theatrical lighting, deployable film screens and projectors, motorized variable acoustics banners, and extensive back-of-house support for visiting orchestras and artists. Lotte World Tower is a 123-floor, 556-meter skyscraper in the second-generation Lotte World complex in Seoul, South Korea. It is one of the tallest skyscrapers in the world, surpassing One World Trade Center in New York City and housing the tallest observation deck in the world on its 123rd floor at 497.6 meters.

  • Client: Lotte
  • Architect: dmp Architects
  • Completion Year: 2016
  • Location: Seoul, Korea
  • Acoustician: Nagata Acoustics
  • Building Size: 142,000 s.f.
  • Capacity: 2,000 seats

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Stanford University | Bing Concert Hall

Stanford University | Bing Concert Hall


FDA began working with Stanford University and its local presenting group, Stanford Lively Arts, during the early planning stages of the Performing Arts Center project. During extensive interviews with stakeholders, school user groups, administration, and facilities departments, the team planned the hall to be a true partnership between Stanford’s performing arts and music departments and Stanford Lively Arts. In addition to achieving acoustical excellence, the client’s objectives for the hall recognized the changing nature of classical music performance. Soloists, orchestras, and chamber groups are increasingly experimenting with visual media, lighting, and movement, and the hall has been carefully designed to facilitate these more theatrical types of musical presentations. In addition, there was a strong desire to make an informal space that would break down the real and implied barriers that separate audiences and performers in so many halls. This desire contributed to keeping the seating capacity low so that no one is very far away from the stage. The decision to adopt a surround-style arrangement and to place the musicians at the same floor level as the front row of seats provides exciting perspectives on the musicians, allowing the audience to see the conductor from the musicians’ point of view and to watch the subtle interactions between artists up close. The result is a hall in which the audience and musicians share an intimate space and can hear, see, and feel the music together.

  • Client: Stanford University
  • Architect: Ennead Architects
  • Completion Year: 2012
  • Location: Palo Alto, California
  • Acoustician: Nagata Acoustics
  • Capacity: 844 seats

Awards
  • LEED Gold certified
  • 2014 Association of the Wall and Ceiling Industry
  • Excellence in Construction Quality Award
  • 2014 ENR Best of the Best: Speciality Contracting
  • 2014 USITT Architecture Merit Award
  • 2013 AIA NY Chapter Merit Award for Excellence in Arch.
  • 2013 AIA NYS Citation for Design
  • 2013 Architizer A+ Awards Special Mention
  • 2013 Excellence in Structural Engineering Award
  • 2013 Illuminating Engineering Society
  • IES Lighting Control Innovation Award of Merit
  • 2013 SCUP and AIA Committee on Architecture for Education
  • Merit Award for Excellence in Arch. for a New Building
  • 2013 Society of American Registered Architects,
  • National Council: Bronze Design Award
  • 2013 Society of American Registered Architects California
  • Council: Design Award of Excellence
  • 2013 The Chicago Anthenaeum American Architecture Award

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Article

Media

Lincoln Center for the Performing Arts | Alice Tully Hall

Lincoln Center for the Performing Arts | Alice Tully Hall

Photos by Iwan Baan


FDA collaborated with architects Diller Scofido + Renfro and FXCollaborative on the renovations of The Juilliard School and Alice Tully Hall, part of a larger redesign of West 65th Street and a revitalization of the campus. With the work completed, Alice Tully Hall is now technically, acoustically, and aesthetically transformed; additionally, DS+R has designed modifications to the building facades along Broadway and 65th Street that  break down the fortress-like quality of the Juilliard building and reveal the vibrant life within. FDA’s work has included detailed program development and collaboration on the design of the hall, public areas, and backstage support spaces throughout the Juilliard / Tully building on the Lincoln Center campus in New York.

Alice Tully Hall (with a seating capacity of just under 1100) was built as a concert hall. The present work makes the room more flexible for a wide range of leased events and an expanded range of performance types.

  • Client: Lincoln Center Development Project
  • Architect: Diller Scofidio + Renfro in collaboration with FXCollaborative
  • Completion Year: 2009
  • Location: New York, New York
  • Acoustician: Jaffe Holden
  • Capacity: 1,087 seats

Awards
  • LEED certified
  • 2010 American Institute of Architects, Honor Award for Architects
  • 2010 American Institute of Steel Construction/IDEAS Awards National Award
  • 2010 Gold Construction Award, Ceilings & Interior Systems Construction Association
  • 2010 Ontario Steel Design Award of Excellence
  • 2010 MASterworks Award
  • 2009 AIA New York State, Award of Merit, Institutional
  • 2009 AIA New York Chapter Design Honor Award
  • 2009 New York Construction Magazine, Cultural Project of the Year
  • 2009 P/A Award
  • 2009 Society of American Registered Architects

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Related Projects


Park Avenue Armory | Philharmonic 360

Park Avenue Armory | Philharmonic 360


The New York Philharmonic explored the spatial qualities of the Armory’s soaring, 55,000-square-foot Wade Thompson Drill Hall with four iconic works in which the orchestra members surround the audience. The centerpiece of the evening was the rarely-performed Gruppen by Karlheinz Stockhausen — a work that requires three orchestras and three conductors. Also on the program were Pierre Boulez’s Rituel in Memoriam Bruno Maderna, the Finale of Act I from Mozart’s opera Don Giovanni, and Charles Ives’ The Unanswered Question.Fisher Dachs Associates designed the theatrical arrangement of seating and staging for the production.

  • Client: Park Avenue Armory
  • Completion Year: 2012
  • Location: New York, New York
  • Capacity: 1,450 seats

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Articles

Media

Mariinsky II Opera House

Mariinsky II Opera House


The Diamond Schmitt / KB ViPS building, with its 2,000 seats, will complement the extant 1,600-seat Mariinsky – completed in 1860 and home to what used to be known as the Imperial Russian Ballet – and the nearby Mariinsky Theatre Concert Hall, which was designed by French architects Xavier Fabre and opened in spring 2007 with room for 1,100 patrons. The completion of the new Mariinsky will result in what some have called St. Petersburg’s equivalent of New York’s Lincoln Center.

The Mariinsky commission derives directly from Toronto’s Four Seasons Centre for the Performing Arts which Diamond + Schmitt designed, on a $186-million budget, as the home of the Canadian Opera Company and the National Ballet of Canada.

The Mariinsky’s Mr. Gergiev was taken on a tour of the centre by the then-COC artistic director Richard Bradshaw in February, 2007, while visiting as guest conductor for the Toronto Symphony Orchestra. Mr. Gergiev was impressed by the building’s universally admired acoustics and, more importantly perhaps, its practicality –  it was smart, effective, very beautiful and finally, not the most expensive.

  • Architect: Diamond Schmitt Architects
  • Arch. of Record: KB ViPs
  • Completion Year: 2013
  • Location: St. Petersburg, Russian Federation
  • Lighting: Crossey Engineering
  • Acoustician: Mueller – BBM
  • Capacity: 2,000 seats

Awards
  • 2014 The Edwin F. Guth Memorial Award
  • 2015 Ontario Asc. of Architects – Design Excellence Award
  • 2013 Global Engineering Structural Award—The Feature Stairs

Links

Media

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